Dolores Prida
Director, author / playwright
Dolores Prida was born the oldest of three children in Caibarién, on the northern coast of Cuba. Soon after the 1959 revolution her father fled to the US in a boat, and two years later the family followed. Upon establishing residency in New York with her family, she began working in a bakery which would eventually lead to her first experience in publications as she would be delegated the position of newsletter writer after 6 years with the bakery. She subsequently took college courses where she studied literature and honed her writing abilities. She continued on into a very successful career in journalism, writing and editing for the daily Spanish-language paper, El Tiempo, as well as other publications such as Visión, Nuestro, and AHA!, the monthly newsletter of the Association of Hispanic Arts.
Prida had her first experience with the genre of theater in the mid 1970's. Coming from a small town in rural Cuba, Prida had had very little exposure to the genre and intially found theatre, especially musicals, to be "weird." Her first work experience in the genre was in in 1976 where she worked with a collective group, Teatro Popular, on the Lower East Side of Manhattan. Here Prida began her work in the logistical aspects of play productions. "I didn't write a play until I had been involved with other things: doing the props, doing the lights out of tomato cans, running the music cues," she once described. At Teatro Popular Prida identified with the theater company's concept of applying to broader audiences and creating "popular" plays, as opposed to the traditional concept of theater in Latin America which is usually reserved for the upper and middle-class portions of the population. Following her work with Teatro Popular, Prida went on to write over 10 plays which displayed issues that were most prevalent in her community in her life. Popular topics dealt with the issues of being a woman and feminine stereotypes as well as the concept of leading a bicultural life and the challenges presented to those straddling the fence between Hispanic and American culture. Prida's works include blingual scripts which feature both English and Spanish.